Wednesday, August 3, 2011
Bob Introduces The NEW 'Painting Glass' Studio Chart!
Introducing the latest Burridge Studio Chart: Painting the Illusion of Glass Vessels. Imagine having all on one page, every reference you’ll need to help or remind you how to convincingly paint wine glasses, cocktails, tumblers, flower vases and wine bottles. It’s the perfect companion to other three Burridge Studio Charts: Goof-Proof Color Wheel, Colorful Composition Chart and Rembrandt-Style Lighting & Value Chart. Made in the USA.
Tuesday, April 26, 2011
How I Start my Day in the Studio
I’m often asked, “How do you start?” The first thing I do after a brief walk to my Studio is prepare the place to be productive. Anything that does not serve me for the day’s painting assignments is put away out of sight. I prefer an organized studio when I create. The painting tables are covered with polyethylene and become my painting palettes. Next, Sirius Radio or Pandora sets the music atmosphere. Music helps me focus on the task at hand.
Always with me is my sketchbook with notes and painting assignments. Some mornings I play my electric drum set in the corner of the studio. It’s my “stretching exercise.” After an hour, I’m ready to paint. It’s 8:30am… like a real job!
Before painting, I journal in my sketchbook. I journal my dreams and thoughts to get them out of my head. My sketchbook is my toolbox of ideas. This becomes my “job description” and includes my daily four Cs. What’s the CONCEPT? The big idea. What’s the COLOR combination? Following my color wheel, I squeeze 4 tubes of predetermined colors, plus black and white right on the table. What’s the COMPOSITION? I have twelve to choose from. And the last C is a no-brainer - COMMITMENT to the concept. I’m a painter and I’m committed to the task at hand.
I start with small 6x9 inch warmup paint sketching consisting of a themed series. It’s my goofing around time - my play-in-the-sandbox -time. After an hour or so, it’s time to get into my purpose of the day - the larger body of work I’ve been painting for awhile, such as an exhibit series, my museum show or the Sausalito Art Festival. Once I start painting, I am all about production and flow, which lasts all day, uninterrupted. I paint without stopping this flow of “creative automatism.”
When I am invited to teach my “Loosen Up” painting workshops this is exactly how we begin everyday!
Always with me is my sketchbook with notes and painting assignments. Some mornings I play my electric drum set in the corner of the studio. It’s my “stretching exercise.” After an hour, I’m ready to paint. It’s 8:30am… like a real job!
Before painting, I journal in my sketchbook. I journal my dreams and thoughts to get them out of my head. My sketchbook is my toolbox of ideas. This becomes my “job description” and includes my daily four Cs. What’s the CONCEPT? The big idea. What’s the COLOR combination? Following my color wheel, I squeeze 4 tubes of predetermined colors, plus black and white right on the table. What’s the COMPOSITION? I have twelve to choose from. And the last C is a no-brainer - COMMITMENT to the concept. I’m a painter and I’m committed to the task at hand.
I start with small 6x9 inch warmup paint sketching consisting of a themed series. It’s my goofing around time - my play-in-the-sandbox -time. After an hour or so, it’s time to get into my purpose of the day - the larger body of work I’ve been painting for awhile, such as an exhibit series, my museum show or the Sausalito Art Festival. Once I start painting, I am all about production and flow, which lasts all day, uninterrupted. I paint without stopping this flow of “creative automatism.”
When I am invited to teach my “Loosen Up” painting workshops this is exactly how we begin everyday!
Thursday, October 21, 2010
Wednesday, October 20, 2010
Friday, June 4, 2010
Saturday, May 29, 2010
Circus Birds
My Circus Birds were created on 300 lb Fabriano Artistico watercolor paper with Holbein Acryla acrylic paints. My "collage glue" is gel medium. I also painted some Circus Birds on canvas - 12 x12 canvases from Cheap Joe's.
Demo of my "Circus Birds" at a very recent workshop in Upland, California at the Art Box Studio!
Watch the movie to see the technique.
Monday, May 17, 2010
This Month is Landscapes!
I was out the other week picking up wine from our local winery. We’re members of their “Club” which means we receive a case of their favorite handpicked wine every month. This gave me a new idea! How about “The Burridge Painting of the Month Club.” You get an original painting every month!
I paints many original warmup paintings everyday, so we thought why not make them available to our friends first? Here’s the deal: When you join the Burridge Painting of the Month Club, you will begin receiving an original Burridge 6x9 inch painting (matted, with a foam board back and sleeve) every month!
Each painting is completely painted and hand-selected by Robert Burridge, signed and dated. Each month will be a different subject matter, including still lifes, abstract, landscapes, figures, etc. and represents what he is currently working on in his studio. Each month you can expect high quality paint on professional quality watercolor paper. 6x9 inch paintings matted on a 12x16 inch presentation.
Last month's was Pears - this month is Landscapes!
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